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Goudy Old Style Date released 1915 Goudy Old Style (also known as just Goudy) is a classic originally created by for (ATF) in 1915. Suitable for both text and display applications, Goudy Old Style is a graceful, balanced design with a few eccentricities, including the upward-curved ear on the g and the diamond shape of the dots of the i, j, and the points found in the period, colon and exclamation point, and the sharply canted hyphen. The uppercase italic Q has a strong quality.
Generally classified as a (sometimes called ) face, certain of its attributes—most notably the gently curved, rounded serifs of certain —suggest a Venetian influence. The design is relatively light in, and has been described as particularly suitable for titles and headings. The set of fonts in the Goudy 'family' in ATF's 1923 specimen book: the Goudy Old Style, Goudy Catalogue and Goudy Handtooled subfamilies. Goudy Cursive is effectively Goudy Old Style with swashes.
Several variants, designed by several designers, were released in the ensuing years (all faces ATF unless otherwise specified). By Goudy:.
Goudy Old Style (1915). Goudy Old Style Italic, inspired by designs. Goudy Cursive, a 'loose italic' adding swashes and more calligraphic alternate characters.
Missing from most digitisations but included on the LTC release. By:.
Goudy Bold (1916). Goudy Title (1918), a full size variation on Goudy’s small capitals from the Goudy Old Style roman. Goudy Bold Italic (1919) The version of the italic includes cursive capitals. Goudy Catalog (1919) and Goudy Catalog Italic (1921), designed as medium weight companions. Goudy Extra Bold + Italic (1927) By others:.
Goudy Handtooled + Italic (1922), were in-line versions of Goudy Bold + Italic (with a white line inside the letter) and were probably designed by, though other authorities credit either. Again, the version of the italic includes cursive capitals. Goudy Children, which features single-story variants of the letters a and g in italic, bold, and bold italic styles and is used in children's books but is not available commercially. The face was an instant best seller, prompting ATF to issue a special 124-page specimen book of the series in 1927. The of Goudy Old Style were kept short at ATF's insistence to allow tight line setting on their system, which irritated Goudy. In addition, he sold the design to ATF for $1500 and received no royalty on the type, causing his relationship with the foundry to deteriorate. Over time, because graphic designers came to see the face as more suitable for display, the bold became the most enduringly popular of the family.
In his 1946 autobiography, Goudy wrote that: I had at some time or other copied a few letters of classic form from a portrait painting - I have always said 'by Hans Holbein' but later search has never brought these particular pattern letters to light. Goudy does not say which. Anyway, I decided that I would attempt to complete an alphabet of capitals along the lines of the letters I had copied.
Then came the difficult task of designing a lower-case in perfect harmony. Regarding the italic, Goudy wrote: I studied many of the older italics and came to the conclusion that.some of the outstanding italics of the sixteenth century had little or no inclination and yet preserved their italic character. Taking the italic as a starting point I succeeded in producing an original letter which, I believe, constituted the first distinctive italic in modern times. Hot metal copies. The face was immediately licensed to and some of the weights were issued by as well. Called its 1924 knock-off the Number Eleven series.
Monotype's designer F.H. Pierpont, better known for and, designed a similar face named Horley Old Style, adding a distinct influence of designs. Cold type copies As the face was a 'classic' almost from the day of its issue, producers of offered their own versions of Goudy Old Style under the following names:. Goudy Oldstyle — Alphatype,. Goudy Bold —.
Goudy Light —, Star/Photon. Grecian Old Style — Digital copies. A sample of Goudy Old Style in original metal type. Commercial releases have been made by, Fontsite, DTP Types, Electric Typographer, (bundled with ), and. As many early digitisations were sublicensed, several of these may represent the same digitisation marketed by different rights-holders, possibly upgraded with modern features such as contextual ligature substitution and small caps. LTC's digitisation includes the calligraphic and swash alternate characters, as well as. Goudy Catalog has been copied by, and.
A version called Goudy Schoolbook also exists, with single-story versions of the letters a and g, but it is not for sale to the general public. (The digitisation bundled with Microsoft Office lacks all these features; it does include ligatures, but they must be inserted manually.) 'Sorts Mill Goudy' is an open-source revival created by Barry Schwartz as part of the League of Movable Type project, which contains small capitals and other features.
Bhikkhu Pesala expanded this under the name 'Sukhumala', adding bold, bold italic and handtooled styles. ATF's other related fonts, Goudy Handtooled and Goudy Catalog, have also been digitised, again with a variety of companies holding some rights although only LTC's release includes Handtooled Italic. Goudy Title has not been digitised under that name. Usage Goudy Old Style is the text typeface used in. It is the official typeface of in, in, in, in, and in.
It is also used by the. It is also the standard body text font for publications. The bold italic weight is used for the wordmark of Whittard's. Other Goudy typefaces. Main article: Frederic Goudy's name is associated with many other, but not related to Goudy Oldstyle, including:. Goudy Light + Italic (1908, ). (1911, + 1920, + 1927 ); also known as 'Kennerly Old Style' as it was commissioned by.
Goudy Lanston (1912, later ). Goudy Roman (1914, ), it is unclear if the type was ever cast in quantity. Goudy Open (1918, + 1924, + 1927, ).
Goudy Modern (1918, + 1924, + 1927, ), basically just a “filled in” version of Goudy Open. Goudy Open Italic and Goudy Modern Italic (1919, + 1924, ). Goudy Newstyle (1921, + 1927, + 1941, ), re-cut in 1935 and sold to Monotype who then marketed it as Goudy Bible. Goudy Heavy Face + Italic (1925, + 1927, ), intend to compete with.
Make your embroideries more accurate and beautiful by designing the letters and words on a computer software called. EOS 3 is a complete digitizing/editing package, covering all covering all aspects of creative digitizing, including numerous features and function designed to produce unique embroidery results. In this video tutorial, gives you the scoop on how to copy, past, and merge letters together to form words in Compucon 3. It's an embroidery software which is both powerful and very easy to use at the same time! Eos 3 embroidery software.
Goudy Heavy Face Open (1926, ) and Goudy Heavy Face Condensed (1927, ) were designed. Goudy Antique (1926, privately cast by + 1927, ). Goudytype (1928, ), designed and cut in 1916, not cast and sold until later. Goudy Black (1928, ), later cast as Goudy Text. Goudy Sans Serif series.
Goudy Sans Serif Heavy or Sans Serif Bold (1929, ). Goudy Sans Serif Light (1930, ). GoudySans Serif Light Italic (1931, ). Goudy Forum (1929, + 1932, ). Goudy Ornate or Ornate Title (1930, ), capitals only. Saks Goudy + Italic + Bold Caps (1934), a private type cast for department store.
Saks Goudy Bold Caps actually consists of the small capitals of larger sizes cast on larger bodies. Goudy Stout (1939, ), only cut in 24 pt. Capitals, few ever cast. Goudy Thirty (1953, ), cut with the intention of being issued after Goudy’s death, “thirty” being a newspaper term for the end of the story. Goudy finished work on it in 1942 and Monotype waited several years after his death in 1947 before issuing the font. References.
Friedl, Frederich, Nicholas Ott and Bernard Stein. Typography: An Encyclopedic Survey of Type Design and Techniques Through History. Black Dog & Leventhal: 1998. Lawson, Alexander S.,.
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Godine: 1990. Meggs, Philip B. And McKelvey, Roy. Revival of the Fittest: Digital Versions of Classic Typefaces. RC Publications: 2000.
Tracy, Walter (1986). Letters of Credit. MacGrew, Mac, 'American Metal Typefaces of the Twentieth Century,' Oak Knoll Books, New Castle Delaware, 1993, pp. Retrieved 27 August 2015. Shaw, Paul.
Print magazine. Retrieved 30 June 2015., Anatomy of a Typeface,David R. Godine, Publisher, Boston, 1990, pp. Goudy, Frederic (1946).
New York: The Typophiles. Retrieved 18 November 2015. MacGrew, 'American Metal Typefaces of the Twentieth Century,' pp.
Retrieved 14 June 2015., Archie Provan, and Frank Romano, 'Primer Metal Typeface Identification,', Arlington, Virginia, 1976, pp. Retrieved 2 July 2015. Schwartz, Barry. League of Movable Type. Retrieved 2 July 2015.
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Pesala, Bhikku. Softer Views. Retrieved 4 September 2015. Retrieved 27 August 2015. Retrieved 31 August 2015.
Retrieved 31 August 2015., Universidad Nacional de Colombia, 14 August 2003. MacGrew, 'American Metal Typefaces of the Twentieth Century,' pp. External links Wikimedia Commons has media related to., a free and open-source revival of Goudy Oldstyle by Barry Schwartz.