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Now, of course you want to do everything you can to ensure that your footage is as crisp and clear as possible before you shoot - avoiding low light situations, choosing lower ISO settings when possible, using lenses with larger apertures, even keeping your camera within its optimal shooting temperature - but sometimes noise is unavoidable. This is why these denoisers can be so important to have in your editing toolbox. There are several noise reducers out there that clean up your image pretty damn well. We've about the, which, if you've got $200 to spend, is probably one of the more powerful denoisers out there at that price point. However, if your budget is a little bit tighter, the plug-ins Ryan Connolly compares, and, are still extremely adept at clearing up artifacts and are both about $100 (Neat Video offers a $50 option, but you'll be missing some Pro features and will only be able to process HDV 720p-size video). In the end, it looks like Neat Video and Denoiser II are both excellent at reducing noise, especially within the kinds of noisy situations you'll most find yourself in. Neat Video does let you have at the custom controls, which is nice for pros, but probably unnecessary for beginners, and seems to be a little faster at processing your images.
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Which denoiser would you recommend? What's your experience working with Neat Video and/or Denoiser II (or even Dark Energy - is it worth spending the extra scratch?). Let us know in the comments! I love `em, but I don't think the Film Riot guys did this topic justice.
They seemed to have glossed over Neat's real potential. This stood out to me when they skipped over its ability to remove compression macro-blocking, but not talking at all about profiling your camera was the biggest omission. I have profiles for every ISO setting, both under exposed and properly exposed. Makes a world of difference. And if you have a relatively popular camera, someone has probably already made a profile. October 3, 2014 at 3:55PM.
Thank you for the kind mention in your write up. My name is Ernie, I'm one of the co-founders of Cinnafilm.
I really enjoy getting notifications via Google Alerts that our technology was mentioned somewhere on the web. I like it even more when it's a kind mention like this:o) As a thank you, For No Film School members only, send us a note through our Contact Page and we'll give you a special NFS purchase price of $99.00 for Dark Energy for. This is only good through the end of October. So hopefully this removes the 'extra scratch' argument and enables everyone to take advantage of both our award winning denoise (which vaporizes film grain, Gaussian noise, micro/macro blocking) and film simulation (enables full modeling of any film stock you can think of) that you get when you become a customer of Cinnafilm. Ernie October 3, 2014 at 4:22PM. I use Denoiser 2, and it does all around a great job however, if you work with Red footage I do not recommend it at all, the program seems optimized for DSLR video, or AVCHD video, both of which denoiser does fantastic on, The color space in RED just seems to confuse it.
On the red footage, If you start tweaking, the video starts breaking up into macro blocks slanted at a 45 dergee angle and trying the film mode turn everything purple and green. It's been a while since I've used it on red footage, so maybe its better now, but the I've had this problem since CS6. October 7, 2014 at 2:45PM. I own both of these. I'm a huge fan of everything Red Giant is about, but I just can't get the same level of results out of Denoiser II that I can get out of Neat Video. I purchased Denoiser II first, spent a year with it being disappointed, then installed a trial version of Neat Video.
Almost immediately after, I purchased a license and haven't looked back since. I want Denoiser II to be better. It's more affordable, especially since Red Giant has a much more flexible licensing system. But it just isn't there yet.
October 8, 2014 at 10:52AM, Edited October 8, 10:52AM. Ive been playing with denoiser and neat all weekend and have had NOTHING but trouble with both. Denoiser only works (in premiere, on a mac, on yosemite) if you nest the clips you add it to. And while it will render.
It leaves the sequence unexportable. Neatvideo on the other hand, seems to work. But will randomly bypass audio, previous effects or even itself. As mentioned in my previous post. It sounds like premiere is the guilty party.
Or maybe the way it involved cuda or maybe yosemite (depending on what thread on what forum you read) but either way. BOTH are currently non-starters on my system. And i'm going to have to deliver footage to a client in the morning with a couple grainy as hell event clips. Im starting to miss 2012 or so and FCP6x. When most things just 'worked' June 14, 2015 at 8:00PM.
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New Free Software Demos Check out new demo downloads! New demos from Boris BCC 8 FxPlug, proDAD DEFISHR, Topaz Labs Detail, Chaos Group V-Ray for Rhino, RE:Vision Effects RE:Match, and more! In Depth: Noise/Grain Plug-ins for After Effects, Final Cut and Other NLEs, Part 1 New to our In-depth series, Michele Yamazaki covers several noise reduction plug-ins and techniques.
Bcc Noise Reduction Download Youtube Video
Here’s the rundown of noise and grain reduction plug-ins on the market for After Effects and other NLE’s, rated on speed, accuracy and quality, as well as return on investment. This article will focus mostly on grain and noise reduction but also touch upon matching and adding grain and noise. Covers the following plug-ins: After Effects Remove Grain, Add Grain, Match Grain ABSoft Neat Video Pro Boris Continuum Complete BCC Noise Reduction Cinnafilm Dark Energy.